Disease of the Heart, Disease of the Flesh, the Boastful Pride of Life brings together three arboreal specimens, each marked by a distinct form of death tied to systems of consumption. The oldest is a section of old-growth timber, salvaged from the original Sears, Roebuck & Co. warehouse (circa 1906), a relic of industrial expansion. The second, a registered 300-year-old Moses Cleaveland Tree, speaks to civic memory and ecological endurance. The youngest, a red oak, reflects invisible contemporary collapse from the inside-out. Together, they chart a lineage of extractive culture, economic ambition, and the quiet toll exacted on the living world. 

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